The mutterings of a half-mad Canuck who writes stuff

Category: Review (Page 2 of 4)

Breaking Bad – Season 1, Episode 4

This was the episode I was expecting last time. A whole bunch foreshadowing, and Walt finally turns the corner!

The opening sequence in the DEA ready room confirms in my mind the idea that Walt becomes some sort of drug kingpin. I mean it’s not a far stretch even never having watched the show, given there are 5 seasons and the character has to go somewhere, but it’s nice to see some sort of more overt acknowledgement of the idea.

Jessie’s return home is a direct appeal to our sentimentality, a reminder that some bridges can never be re-crossed once they’ve been burned, and serves as a contrast to Walt’s opposite journey. It gives us a reason to believe that Jessie has no other options open to him. He can’t go home again.

Through most of the episode we see Walt trying vainly to hold on to some semblance of his old life, trying to go back to normal. He kicks Jessie out and tries to break ties. He has the in-laws over for a bbq.

The catalyst of Walt Jr. telling him to just give up and die if he doesn’t want to try and beat the cancer seems to be what pushes him through to finally commit to a decision. The final scene of him blowing up the douchebag’s car is a clear signal that he’s finally decided to live as though there are no consequences (although you’ll notice that he was cautious about not getting caught. Self-preservation is apparently a difficult habit to break).

The way that he dealt with the douchebag is also telling. That was a very ingenious way to destroy a vehicle (I’m not entirely sure it would blow up like that as opposed to just killing the battery and maybe starting a small fire under the hood, but hey – it’s TV), and he came up with it in a matter of seconds and then calmly and efficiently put it into action in not much more time than that.

When not crippled by indecision, he is a force to be reckoned with.

Next episode should see Walt stopping by Jessie’s place and getting the band back together. We should see more follow up on the DEA investigation, as well. It’s likely to be more of a character development episode, as opposed to an action packed one, but there might be the introduction of a new “big problem” sub-plot to replace the Emilio/Krazy 8 issue now that that has been resolved.

Breaking Bad – Season 1, Episode 3

An interesting turn of events, this. Many of the questions I had about Walter’s character remain unanswered, or answered in ways I wasn’t expecting.

He still hasn’t murdered anyone in cold blood. I wonder, though, that even after he knew that Krazy 8 had the piece of plate, he still maneuvered the situation around to where killing him was an act of self preservation.

On the plus side, Walter gets to maintain his moral ambiguity. He’s still doing bad things that harm people, but the harm is indirect and can be justified as being self-inflicted for the most part (I realise this contradicts the current popular view on drug addiction but fuck it, either we’re responsible for all of our own actions, or we’re responsible for none of them). He is also still doing those bad things for good reasons. as flimsy as that justification is.

On the negative side, we are left with a protagonist who still hasn’t completely committed himself to a course of action. He still hasn’t taken any steps that can’t be untaken or forgiven. Had he walked down there and used the hammer on the back of Krazy 8’s skull or sliced his throat open – even knowing that it was to protect his family from the possibility of murder – we would have looked at Walter differently. He would no longer have been out of place in “this line of work”.

I guess where I’m left dissatisfied is that I like my characters to be more clearly defined, and Walter White is not yet clearly defined. He is certainly not a hero, but nor is he truly an anti-hero. He is a sort of quasi-proto-hero, and that leaves me feeling vaguely unfulfilled.

Perhaps the conversation he’s about to have with Skyler about the cancer will give him the push he needs to hold the strength of his convictions. I’m still holding out hope for my theory about him taking over the drug industry and eliminating all rivals.

He just seems like that kind of guy.

I have a theory about where I think the show is heading, and it didn’t really fit in the last post, so I’ll put it here.

Given what we know about Walter thus far – he’s a very logical, straight-line-to-the-problem sort of man and has no patience for ineptitude – I see him coming to a very interesting conclusion. With what’s happening with Krazy 8 right now, it seems like the only way for Walter and Jessie to be safe in this endeavor of theirs is to take over the whole industry and remove all competition. This will have the added appeal in Walter’s mind of making sure that the whole thing is run properly.

It’s possible that he’s also planning ahead to when the cancer takes him out, and wants to make sure that when he goes, the drugs go away.

I wonder if the entire 5 seasons of the show are about Walter White taking over the meth business in the Southwest by any means necessary…

Breaking Bad – Season 1, Episode 2

Holy shit, how is that guy still alive?

So, hey… remember last post when I wondered if Walter would be up to killing someone in cold blood? Turns out, no – at least not easily and not yet.

There wasn’t a lot happening in this episode compared to the last one. Not in terms of action and plot, anyway, but there’s a whole lot of character building and exposition going on, and most of it was pretty cool.

I like the way they handled the tension between Walter and Skyler. Their marriage is under an enormous amount of stress but there are still moments of joy and it all rings true. Plot-wise, I’m still not sure how he would have managed to withdraw all of their savings to buy that RV and have Skyler (the tech-literate ebay seller who also manages their finances) remain unaware of it, but the emotional back and forth come across as absolutely believable.

Walters turmoil (and waffling) over the killing of Krazy 8 is a good thing. A necessary thing, in my opinion. If he were capable of just ending a man’s life, even this man, he would become less interesting. It’s the juxtaposition of the absolutely moral Walter White, who Jessie describes as “an absolute straight with a stick up his ass”, and the crooked, morally bankrupt world in which he’s chosen to involve himself that gives the show (thus far) it’s momentum.

He has promised Jessie that he will do it tomorrow, and I suspect that Walter White is the kind of man who keeps his promises. I haven’t checked IMDB, but I suspect that the actor who plays Krazy 8 only has three episodes credited to him.

Jessie is a bit more problematic from a storytelling perspective. I’m not sure how he fits in to the moral narrative. He’s not particularly moral, but nor is he particularly amoral. He was no more comfortable with the idea of killing Krazy 8 than Walter was, at any rate. If he was a complete dirt bag, I might expect some sort of Walter White led redemption story, but as Jessie himself pointed out – this ain’t no Welcome Back Kotter (though how a kid his age would even know that reference…). I guess it’s possible that, as a standard denizen of this world, he’s there to contrast against Walter and make sure we don’t lose sight of Walter’s underlying morality (??).

They just didn’t seem to do much with him in this episode, and his character direction seems a bit confused so far. I hope they develop him more in the next few episodes. He has potential and could become interesting if handled properly.

Breaking Bad – Pilot

Ok, so umm… wow.

First off, let me say that the bleakness of Walter White’s life is absolutely breathtaking in both its scope and its degree. Done less carefully, a character this down on his luck, a character whose life is this irredeemably shitty, would have no choice but to be taken as caricature.

Far from being a self-parody, though, Walter White is absolutely 100% believable and sympathetic. (It should disturb me a lot more than it does how much this guy resonates with me, but that’s another issue entirely.) Here is a man who is passionate about his field, passionate about trying to pass that on, and who struggles mightily every day to just keep going, keep his head above water, and keep his family afloat at the same time.

What makes the setup for this show believable is, knowing a number of teachers from the US, I know that Walter’s situation is all too common. He has to work multiple jobs to earn a living wage, gets no respect from anyone for what he does, and (because ‘Merika) has next to no health coverage should things go south.

What makes it horrific is how absolutely mundane the show makes it all seem. How commonplace and acceptable.

*shudder*

I really enjoyed how all the pieces fell into place to get Walter into a position that would have seemed impossible at the outset. I particularly enjoyed the fact that none of it was by accident. Every step was the result of a conscious (though often ill-informed) decision that Walter made and, so far at least, he owns it all.

If this episode is indicative of what’s to come, I’m in for a treat. The writers have done a wonderful job of getting Mr. White to set up house in a moral abyss while keeping him relatively moral. He’s doing a very bad thing but, as he has always done, he’s also doing the right thing (in a narrower sense). He’s taking care of his family – or trying to – in the best way he knows how. The only way available to him, really.

I’m sure there are going to be some very big decisions in Walter’s immediate future. I’m interested to see how far he ‘breaks bad’ and how difficult he finds those decisions. He killed two guys, but that was in self-defense. Would he have killed them in cold-blood? How is he going to reconcile himself to some of his students inevitably doing the drugs he made?

I’m going to wait until tomorrow night to watch episode 2, but I’m really tempted to watch it now.

Blah Blah, Something Something

The problem with maintaining a blog, at least for me, is consistently having something to write about. Not even having something interesting to write about – just having anything at all to write.

I’ve toyed with a few ideas over the years but, as you can see from my backlog of posts, nothing has really stuck.

Then, last night, my wife and I sat down to start watching a new TV series. Well, new to us, anyway. Now that Game of Thrones is finished, we were looking for something to watch. We want something interesting, well-written, well-acted and that has several seasons available so that we can watch our one episode a night for a long time.

We have just started watching Breaking Bad.

And it occured to me that I might finally have something I can write regularly about, at least for a while.

So, I dusted off the ol’ blog here, deleted the thousands of spam comments awaiting the approval they were never going to receive, boggled at the fact that my last post was 2 years ago, and here we are.

We’ll watch one episode a night, most nights, and when we do I will write a little blog post about the episode. If you are like me and never got around to watching the show, you can watch along with me. That will be fun.

If you have watched it before, it was probably a long time ago – you could watch it again. That will also be fun.

**full disclosure, I’m not completely in the dark about the show. I know things don’t end well for Walter White, and I know about some of the more memorable plot points having heard the odd comment from people, and having watched the several Mythbusters Breaking Bad specials. I’ve also written this post having already watched the first episode last night and, holy shit am I looking forward to the rest of the show.

Jameson Lake Album Review

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I can’t really talk about this album without comparing it to the band’s previous album Nothing to Lose. There are many, many similarities between the two albums, and yet they are two distinct and separate entities. You couldn’t take any of the songs from one album and put them on the other without it feeling slightly out of place, for example. You could probably combine the two albums into one super-long, mega-album but, again, none of the songs would mingle. And the Nothing to Lose songs would all have to come before the Jameson Lake songs, or none of it would make sense.

Jameson Lake is, in all ways, a fitting sequel to the previous album.

Nothing to Lose was an album about wrestling demons. A young man’s demons. Jameson Lake is a more mature album (not musically, both albums are equally phenomenal in that regard, but thematically) and the demons have likewise gotten older. Rather than wrestling them, Jameson Lake invites them over for dinner every so often, and their kids all play on the same hockey team. There is a comfortable sort of angst at play here.

The new album has a lot of the same bluegrassy-ness of the first, but it’s tempered with a more country-western feel. Where Nothing to Lose struts, Jameson Lake saunters – as if it knows where it’s going, and feels no need to hurry. It’s a sipping album to the flaming shot glass of Nothing to Lose – and it is to be savored.

If I have any complaints about the newest offering, it’s that Melanie Hilmi has been relegated to a more backup-vocal-centric role. I love Matty like a brother, but every time I hear Mel sing I feel like I should be tied to the mast for my own safety. The two of them harmonizing is one of the best things in contemporary music.

You can grab the album on a “pay what you like” basis at Bandcamp. If you know me, you know my views on what you should pay – what you can, up to what’s reasonable.

If you like music you’ll like this album.

Human 76 – The Ballad of Ash & Hum

Alison DeLuca has written what I’m going to call a “non-traditional romance” (that means the romantic partners are gay*) and I hope she’ll forgive me, but when I figured out what was going on I have to admit I rolled my eyes a bit.  You see, on my Facebook I have as friends a great number of other writers. Among those writers, the great majority (of the regular posters, anyway) seem to write romance, and of the romance writers it seems to be split about half and half between very muscular Scotsmen and very muscular gay men (with a small fraction of very muscular, gay Scotsmen). It seems like gay romance is the flavor of the month (or year, I suppose) and I tend to resist that sort of thing as a knee-jerk reaction.

This, though, is a well written romance story about a couple of interesting people. The plot is well paced and suspenseful, and there is nothing formulaic about it. I should have known this from the beginning:

Hum thinks about infinity a lot. Dirt and stone surround Pandora Alliance that lies underground. No one knows what lies above their buried city. Thanks to his enhanced neural wiring, Hum can call up an exact picture of the entire facility, rotate, flip the image, and figure the fastest way to get from one port to another, including airshafts and what Ash calls ‘smuggler tunnels’ – passages known only in Alliance legends.
These mental images come to Hum as music, a strange symphony of bytes and constant input. No one quite understands the constant tune in his head, although Ash comes closest to hearing the crackles and whines of Pandora’s song. The melody uses zeroes and ones instead of notes, wires and hardware for instruments.
Ash stands and twists his back. When he doesn’t move for long he becomes restless. His enhancements are all physical: strengthened bones, perfect eyesight, the balance and poise of a dancer. HUMAN 272 is tatted under his long hair, but only Hum gets to see it.
They are bred to perform perfectly together. Ash is all hard muscle and sinew, ready to spring to action when Hum makes the call. One theorizes, the other acts.

It did get me thinking about why I see so many writers going the route of the gay romance. From a writer’s standpoint I asked myself, “What would I get out of making my characters gay?” Well, first off, I would get to drop the bullshit gender roles that seem to go with that particular territory and focus on writing about a couple of interesting, three-dimensional people. That’s always nice… and that’s when I realized. I’ve more or less already done that. To Ride the Wind Dancing is basically a romance story between a guy and a spaceship. Similar idea from a gender roles standpoint.

At any rate, I thoroughly enjoyed this story. Ash, Hum, and Bhari are all well defined and compelling characters. They speak with their own voices, which is harder to do than you might think, and they have interesting things to say. Also, the bad guy is a right dick.

That’s also a good thing.

The book is available at Lulu.com in paperback and e-book formats. It is also available at Barnes and Noble as paperback and for the Nook, and at  Amazon (paperback) and Amazon (kindle). All proceeds go to Water is Life.

Human 76 – Sheshwahtay

Sheshwahtay is a story that has stayed with me since I read it. KJ Collard has wrought something worthwhile here.

The story has a pseudo-native feel to it, not simply because of the names Two Horns and Red Foot, but from the pacing and the focus and the feel of the story’s fabric. This is a fully imagined society populated by fully realized people. Redheaded people. I really do wonder if I missed a story meeting somewhere along the line.

As I sat on my front porch, I could not help but beam at the tableau surrounding my young cousins. Two Horns had been born eleven years ago with both middle fingers gracefully extended. His recklessly carefree attitude was with him from the day he was born. But where Two Horns was antagonistic and playful, Red Foot was creative and loving. Their personalities could not be further apart on the spectrum, but their twin-like looks made it undeniable they were related. I loved my young cousins It did my heart good to see them act like children. The reports coming from our sister community in The Valley painted a very bleak picture of the world that they would inherit.
“One day, Two Horns will learn better than to tease you. Now, come here, Red Foot,” I coaxed, unable to control the urge to hug her.
Red Foot’s face broke into smile. “I love you, Ahma!”

Third Rosemary, A.K.A. Ahma, is a sympathetic character with a wonderful and unique voice. I found myself really sympathizing with her feelings of loss and regret, and rejoicing with her when.. well, let’s leave that at that. I’ll not give away the ending here, save to say that I’m glad it wasn’t written by the Wombat, and it was nice to see that particular old friend again.

If you haven’t yet gotten the book, it is available at Lulu.com in paperback and e-book formats. It is also available at Barnes and Noble as paperback and for the Nook, and at  Amazon (paperback) and Amazon (kindle). All proceeds go to Water is Life, and it is a very good book, so you should buy it.

Human 76 – The Oasis

Rebecca Fyfe’s tale is very short in comparison to the others in the collection, but it packs an awful lot of story into its brief span of pages. Also, the protagonist is a mutant. Finally, someone wrote a mutant main character (and this one can fly) who isn’t an experiment!

The squirrel leapt from the tree and swooped down to land softly by my feet, folding its bat-like wings against its side. My gran had once given me a book about animals that showed a picture of a flying squirrel. Those squirrels from before the Blast didn’t have wings like this one and they didn’t actually fly; they just sort of glided on flaps of skin that stretched between their forelegs and hind quarters. The Blast had changed a lot of things. I’d never seen a squirrel without proper wings that allowed them to fly, to take off from the ground and soar through the air as easily as any bird.
I wish I had that kind of freedom. My wings were more like the ones those former squirrels had possessed. It meant I could only fly if I took off from somewhere high enough and if I could catch the air currents long enough to get some real lift. Of course, it also made it easier to hide my mutation and blend in when I came across others.

I’m struck by how many of the stories have young people who were raised by a grandparent or similar. I wonder what it is that makes that setup such a feature of our post-apocalyptic thinking. It’s a fairly commonplace situation here in China, actually. Maybe that makes China a post-apocalyptic society.

Here’s a weird thing. This story has the characters from Michael Wombat’s “Sand” meeting our mutated protagonist, but I can’t figure out which of the stories came first. That is, I don’t know if Wombat wrote “Sand” and Rebecca Fyfe included his characters, or if Rebecca wrote this story first, and Wombat wrote a prequel story. This is a good thing, as it means the integration between stories is solid.

If you haven’t read the book, it is available at Lulu.com in paperback and e-book formats. It is also available at Barnes and Noble as paperback and for the Nook, and at  Amazon (paperback) and Amazon (kindle). All proceeds go to Water is Life, so you should buy it.  Also, it is a very good book so you should buy it. Have you bought it yet?

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