The mutterings of a half-mad Canuck who writes stuff

Category: 100 Best Novels

Piers Anthony – The Xanth Series

Boy, this is starting to become a habit. Yet again, I’m reviewing a book I couldn’t (or wouldn’t) finish.

In this case, it’s a book from a series I read many moons ago when I was a young’un. I remember enjoying them well enough at the time, though I did find certain aspects of them mildly annoying. To be fair, I wasn’t the most discerning of readers. I would happily read almost anything, and frequently did.

This is clearly no longer the case. I got about a third of the way into A Spell for Chameleon and that’s as far into the Xanth series as I’m willing to go. It’s a shame. Piers Anthony was quite influential in encouraging young writers back in the day, and in helping navigate and mitigate dodgy publishing practices. He ran (and still runs) a website called Hi, Piers! (although it seems to be barely functional at the moment) that used to serve as a hub, nay a nexus, for aspiring writers to get good, reliable industry information and advice. But the issues with A Spell for Chameleon are numerous, horrifying, and, if I remember correctly, continue (and worsen) as you go through the series.

Now, let me preface this next bit by telling you that I am very well aware of the difference between an author’s world view or opinions and those of a character in a book written by that author. It is entirely possible for a writer to write characters who subscribe to ideas the writer finds abhorrent. This is not what is happening here. The world view and opinions that are problematic in this series (and in much of Anthony’s other writing) are woven into the fabric of the story in such a way as to leave no doubt that they are those of the author. And they are pretty bad.

I don’t feel the need to go into too much detail, but the accusations of pedophilia and misogyny (in his work) that have followed Anthony for much of his career are very much warranted. Female characters are nothing more than objects of desire or disgust. Girls as young as 14 (several times, just in this book) are described as sexually appealing and desirable. Rape victims are potentially “asking for it”. The main character – a 24 year old man with the intelligence and emotional maturity of a 12 year old – sets off on a quest to allow him to stay in Xanth and therefore stay with his sweetheart of the past 8(?) years but promptly forgets all about her as soon as he sees literally any other girl. The whole thing is gross.

I remember being put off by these aspects of the book when I read it initially, probably at about the age of 9 or 10. Reading it now, though, I found myself unable to continue. I mean, shit.. the opening scene of the story involves the protagonist attempting to create a mindless sex-slave, which his father characterizes as perfectly normal and understandable, except girls are all unreasonable about that sort of thing. WT-actual-F?

Looking beyond those hard-no issues, the story itself is poorly written. Anthony was never in any danger of winning any literary awards. The characters are all two-dimensional puppets with no emotional affect at all, moved about by the whims of the plot the author wants to follow, and the puns are… plentiful.

Anyway, my advice would be to give these books a miss. I just checked my list to see if the Apprentice Adept, Mode, Battle Circle, or Incarnations series are on there and they are not. Probably for the best. I don’t remember the mode series very well, but the Apprentice Adept series shared many of the same problems this one suffers from. Incarnations I remember fondly and as being less problematic. That one might be worth a read.

Next on the list is Falconer by John Cheever. I hope I like it.

Out of the Silent Planet (The Space Trilogy book 1) – C.S. Lewis

Let me start this review off with a caveat. Well, two caveats. The first is that Jennifer Egan’s A Visit From the Goon Squad set a very high bar for this book to hurdle. The second is that I’ve never much liked C.S. Lewis. I read some of the Narnia series as a kid, and I didn’t really care for it. This book was no exception. Dull, dull, dull.

I think my problem with Lewis is the same problem I have with Madeline L’Engle and Christian Rock ‘n’ Roll. They’re all so focused on the Jesus-y bits they forget to do the rest of it well. Any story with an agenda is unlikely to be a very good story, and this story is effectively agenda from cover to cover. I disliked it enough that I decided not to read the other two books in the series even though that was my original plan. Mostly because a little birdie (on Reddit) has reliably informed me that the first book is the least preachy of the bunch and that one was far too preachy for my liking.

Aside from that aspect of things, there were a couple of story things that really rubbed me the wrong way, one major and one minor. I’ll try to avoid spoilers.

The major issue occurs in a scene in which a major character, someone who has been a friend to the protagonist, Ransom, dies. Ransom shows not a moments emotion over this. In fact, later the same day he finds himself wondering that he ever thought of the Hrossa as people at all and even begins to think fondly about the two men who drugged him, kidnapped him, and planned to sacrifice him to the aliens – merely because they are shaped like him. Absurd.

The minor thing is the deus ex machina way in which the story ends. Perhaps it’s the nature of religion-infused fiction but the characters all seem robbed of agency, and the only character whose thoughts and actions matter is the “higher power”. I find it unsatisfying.

At any rate, I’ll not bother with the other two books as I’m confident I won’t enjoy them. I believe the Narnia series is higher up on the list though, and I suppose I’ll have to give them another shot when I get to them. Perhaps I’ll like them better than this one.

Next book(s) on the list is the entire Xanth series. I’ve read them before (though probably not *all* of them*) but not for a very long time. There are apparently 47 of them, so I may or may not read all of them. If I do read all of them I’ll likely write a short review of each one as I go, otherwise it’ll bee weeks before my next review.

Ta for now.

A Visit From the Goon Squad by Jennifer Egan (a review)

I was looking forward to this book tremendously as soon as I looked it up. It’s got an unusual (possibly unique) story structure, it’s loosely centered around the world of punk rock and the music industry, and it’s relatively (by comparison to some of the books on my reading list) new. I suspect it was partly my anticipation for this book that made The Death of the Heart such a disappointment.

Spoiler alert: I absolutely loved this book.

There are two things I mostly want to mention about it – the story structure, and the 12th (chapter or story, depending on who you ask) “Great Rock and Roll Pauses by Alison Blake”. I suspect both of these things are what other reviews also tend to focus on, but I’ve made an effort not to read any one else’s reviews before writing my own, so who knows.

The structure of this story is, as I mentioned, is unusual. To the point that some people apparently don’t consider it to be a novel at all. It’s a collection of standalone-able stories with no continuous main character. Instead the main character of each story has some connection, whether profound or profoundly casual, with a main character in a previous story. A few of the characters appear in multiple stories, some only in one. What interested me about this structure is that, off the bat it sounded similar to the structure of the first draft of a novel I just finished writing. In mine, there are three loosely connected stories where the throughline is a shared set of events.

It turns out the shape of this story is nothing like mine. Oh, and in my opinion Egan’s story actually does have a main character. Time.

Over the course of the book, a couple of characters (I think it’s a couple, it may have only been the one) refer to Time as a Goon. The book is called A Visit From the Goon Squad. The one consistent theme that appears throughout the book in various guises is that of the effects of time, in particular as relates to memory. I would argue that there is a main character after all.

Interestingly enough, I was recently involved in a workplace chat that found its way to the topic of memory – specifically childhood memories. I made the point that all memory is constructed (as is all experience of the world) and that while we have to act as though our memories are accurate in the absence of evidence to the contrary, we shouldn’t necessarily trust that they are accurate. Someone else pointed out that people who stay in their hometown and hang out with the same people from high school tend to reinforce (a version of) their remembered experience through reminiscing whereas those of us who moved away (in this case to China) don’t – and when we do go back (for reunions and the like) our memories of high school can vary greatly from those of the people who stayed.

And yes, I work with some pretty unusual people.

Egan treats memory in much the same way. Characters remember different elements of their shared experience, remember the same things differently, and in some cases don’t remember anything much at all. Time really is a goon.

The stories in this book vary quite widely in style, suiting themselves to the point of view character, but none quite so much as the 12th story. It’s written not in prose, but in presentation slides (no, actually presentation slides, like in a business meeting), and it’s brilliantly done. I don’t really know how to describe it any better than that. You should just read it. It’s amazing and I stand in awe of Egan’s talent in pulling this off. It seems like it should be too gimmicky to fly, but it not only flies, it soars.

It’s called Great Rock and Roll Pauses and, just as the songs mentioned in it are defined in large part by their pauses, so too is this story defined by the gaps caused by the way in which it’s presented (pardon the pun). It also ties back into the fragmented nature of memory depicted elsewhere, and to the idea that we build full stories about the past based on the bits and pieces we hold on to. In this story we are given only the smallest pieces of information, and yet it is a full and satisfying story. The whole book is enjoyable, but this story by itself is worth the price of admission. It even makes up for having read (some of) The Death of the Heart.

Go and read it.

The next book(s) in my reading challenge are C.S. Lewis’ Space Trilogy, which I will hopefully be able to finish this week. From what I recall of Lewis, his prose is a fairly easy read.

The Death of the Heart by Elizabeth Bowen (an almost review)

You know, for the past week or two I’ve been walking around thinking I’d fallen at the first hurdle with this reading project. In a way I have – in that it’s taken me three weeks or so and I still haven’t finished the first book on the list – but the truth is, I don’t intend to finish it. So there.

I take this as a sign of growth, actually.

I really struggled with this book. I couldn’t force myself to be interested in any of the characters. None of them seem to actually do anything, and it felt very much like work to make myself pick the thing up and read it. Every time I did pick it up, half of my mind was occupied with thinking of things I’d rather be reading.

So I stopped.

I read about a third of the book before I put it down permanently. I’m sure I was probably only a few pages away from something interesting – some fascinating little character quirk or wrinkle of conversation – but I just couldn’t bear the thought of forcing myself past any more boring to get there.

And that’s a real step forward for me.

I used to be of the mind that if I started reading a book, no matter how much I disliked it, I would finish the damned thing. In fact, this is only the second novel in my life that I’ve started and not finished. The first was the fourth book in Jean M. Auel’s Clan of the Cave Bear series which was so poorly written that I have to suspect it was published as a practical joke (on readers) or that Ms. Auel had some sort of ‘leverage’ on someone high up over at Random House.

The Death of the Heart is not nearly as bad as that. Bowen’s prose is competent if not terribly interesting and the book isn’t bad per se, it’s just that it isn’t very good, and I have a whole list of very good books ahead of me. So many of them, in fact, that it really accentuates my lack of interest in this one.

And life’s too short to spend it reading books you don’t like.

If you are interested in unsympathetic characters that talk in vague circles about uninteresting things and where nothing much happens, this book is very much for you. As for me, I’m moving on to Jennifer Egan’s A Visit From The Goon Squad which I’ve already started, and which I’m very excited to continue.

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